Dream of Californication: Maia, Mallie and Maxine

When I told my friends that I wanted to photograph “a bunch of California girls,” most of them were quick to roll their eyes and quip, “Oh, it’s obvious you want a The Hills-inspired shoot!” or “Let me guess: Lauren Conrad in your mood board?” While I will admit that I am crazy about Lauren Conrad and her gang (it’s no secret, after all, that one of the main reasons for this recent trip of mine to the City of Angels was to meet her in person—you know, as a birthday present to myself), allow me to lay my cards on the table and say that my California cultural references do not stop at The Hills or Laguna Beach: The Real Orange County. I also happen to be obsessed with, say, the L.A.-born photographer Herb Ritts, and I am constantly studying his body of work and always looking for ways to incorporate that magical Ritts touch into my own aesthetic (another reason for this trip was so I could see the Herb Ritts: L.A. Style exhibition at the Getty—ongoing until August 26, by the way, so go now if you haven’t yet). Bret Easton Ellis and most of his works are also very California to me. And, of course, I grew up to Beverly Hills, 90210 and Baywatch, which means that Shannen Doherty will always be my number one bad girl crush (sorry, Kristin Cavallari) and that Pamela Anderson will always be my favorite plastic (sorry, Heidi Montag). And I happen to be a fan of the, um, “manlier” shows, too, like Entourage, for example. But as far as TV shows about California go, Tom Kapinos’s Californication will forever be on top of my list, and that’s thanks to Madeleine Martin’s character Becca Moody, and Natascha McElhone’s character Karen van der Beek. Becca is the main protagonist Hank Moody’s (David Duchovny) acerbic, goth rock-inclined teenage daughter, and Karen is Becca’s grownup cool kid mom. Becca and Karen are not the quintessential California girls—but they’re my kind of California girls. Disaffected, not peachy. Witty, not ditzy. Pallid, not sunkissed. And none of that cotton candy, celluloid chic, too—like, no Juicy Couture sweatpants or anything like that. Becca is dead-on grunge with her flannels and vintage concert Tees, and Karen’s style is kind of downtown-meets-boho-meets-Coachella. Yes, they are, as you would call it, the other side of tinseltown, home of the hardcore. And they—not Lauren Conrad and her pretty posse—were exactly the kind of girls I had in mind when I said I wanted to photograph “a bunch of California girls.”

My prayers were answered when Maia Ramirez hit me up and asked me to photograph her and her daughters Mallie and Maxine, after seeing the work that I’d done for her brother Luigi’s engagement last year. Her message ended with a warning of sorts: “I have to tell you, though, the Mallie, my eldest, is kind of ‘tomboyish’—we’re gonna have a hard time convincing her to wear anything girly!!!” To which I responded, “Perfect!” Because wasn’t that a very Becca Moody thing to do—not “wear anything girly?” It was like I’d died and gone to heaven! Finally here was my chance to have a shoot inspired by the main girls of Californication! I wasted no time in sending her a list of clothes to prepare—flannels, big black grunge boots, beanies, and fishnet wrist gloves for the little girls, and Karen van der Beek-inspired pieces for Maia. At first Maia was concerned about the grunge look on her youngest, Maxine—unlike Mallie, you see, Maxine was the girly girl type, the kind who preferred ballerina flats over boots, and Disney princesses over, say, Queens of Dogtown. A compromise had to be made, and so I allowed Maxine to pair her flannels with sequined shorts instead of jeans—I had to say no to the ballerina flats, though, and only allowed her to wear leather Chuck Taylor-esque lace-up boots (with floral applique detail, of course).

Initially Maia wanted the shoot to take place in their hometown of Clovis, CA, which was some 4 hours northwest of L.A. (some 15 minutes northeast of Fresno), but I had to turn that down because I couldn’t find anyone to drive me there. Also, I really couldn’t imagine doing this whole thing anywhere else but in Venice Beach. As some of you who’ve been there may know, Venice is one of the more colorful and vibrant areas of Southern California, one of those places that have managed to establish itself as a cultural phenomenon by being egalitarian, mind-bogglingly eclectic and compellingly odd—I’d fallen in love with the place the first time I’d visited some three years ago, and there was nothing I wanted more now than a chance to take its pulse through pictures. Besides, it’s also where most of my favorite scenes from Californication were shot, especially that one scene some 7 or 8 minutes into the second episode of the fourth season where Becca is playing her electric guitar at the boardwalk for some cash (to save up for a place of her own), while Karen and Pamela Adlon’s character Marcy Runkle looked on—it was exactly this scene that I wanted to recreate for this shoot. Thankfully, Maia said yes to driving all the way from Clovis; she owed the girls a visit to Disneyland, anyways, and so she asked for our gig to be scheduled on the Monday following their Sunday date with Mickey Mouse and friends.

Sometimes materializing your vision is never easy, and this one right here was no exception. In order to effectively recreate that one rockin’ scene of Becca’s at the boardwalk, we needed heavy duty props, such as an electric guitar, a hard case, maybe even some amps. Thank God my brother-in-law Chester is a guitarist and had all these stuff handy (I think I must’ve had over a dozen guitars and cases to choose from, but I ended up picking the Dean Vendetta guitar and the B.C. Rich “casket case,’’ of course, because they were just so badass-looking)! But while the sourcing wasn’t a problem, dragging all that stuff around definitely was pain in the backside—I think I almost broke my two arms trying to carry them from the beachfront parking lot to the spot we were shooting at and back (and I had my camera bag with me, too)! All worth the backbreaking trouble, though, because the pictures from that set came out real good! And not so much because of the props as in terms of how Mallie and Maxine handled them. I didn’t even need to teach Mallie how to cradle the guitar—she just snatched the darn thing from my hands and in no time declared she was ready for her closeup! Who says little girls don’t know a thing or two about rocking out? I hope she grows up to be a guitarist.

Yes, what started out as something I thought I needed to do in a hurry quickly turned into one of those shoots that I didn’t want to ever end. On the 10 en route to the beach, all I could think of was, I gotta do this fast! I gotta to this fast! (I even had a cup of coffee before leaving my sister’s house, and coffee is not my favorite thing in the world!) I was thinking of the little girls, you see, and how I didn’t want to work them up too much, especially considering the fact that, well, these were little girls, and that they’d spent more than 8 hours under the sun at Disneyland the previous day (no Mickey Mouse ears are ever large enough to shade you against the brutal California sun, and I learned that the hard way). Once we got to the beach, though, Mallie and Maxine were suddenly so rejuvenated, and they couldn’t wait to step in front of the camera! And once I started clicking, it was as if they didn’t want to step away from my frame ever! Maxine, in particular, was such a hogger (for lack of a better term)—I’d take pictures of her big sister solo, and just two or three clicks and she’d be screaming, “OK, enough, Mallie! My turn! My turn!” To which Mallie would just nod and politely give way! Can’t remember the countless times I told her, “Maxine, you gotta wait your turn!” and the countless times she retorted, “But it already is my turn!” Swear to God, for every three pictures of Mallie, Maxine would have 20! This didn’t seem to bother the elder sister, though, because she’s chill like that—at one point she even told me, “I don’t really like my picture being taken.” The only reason she had no issues about doing this session, apparently, was ‘cause it was in her lane in that it was kind of “non-girly,” and she even lived up to her offbeat, tomboy cred by demanding, “[If you have to] take photos of me, [they have to be of me] standing right next to these really cool trash cans!” It was like I’d found my own personal Becca Moody! How else was I supposed to love this girl but to bits and pieces?

At one point it made me wonder where these girls’ energy was coming from. Were they solar-powered, and were they getting it from the scorching sun? Was it the fact that we were in a very groovy, lively place? Was it the corndogs? Were they getting it from Harry Perry (no relation to Katy Perry, I’m sorry), the turban-sporting electric guitarist on roller skates? Did they have a peppy song playing in their heads the whole time—”Overdrive” by Katy Rose, perhaps, which goes something like, “Yeah, yeah, I’m independence/ Yeah, yeah, I’m borderline/ Yeah, yeah, I’m California/ My mind’s all screwed and upside down/ But my heart’s on overdrive”?  Of course, it didn’t take long for me to figure out that they got it from their mama! Maia was so fierce in front of the camera that I had it all too easy. Considering the fact that she wasn’t really comfortable with our theme at first, she put on a very good show! Yes, she admitted that at the onset she was kind of skeptical about the whole Californication/grunge thing, but then she chimped after a few shots, and then gave me her stamp of approval, saying that she liked it ‘cause “it’s a departure from the usual family photos!” Nothing makes me happier than subjects who allow me the liberty to carry out my vision despite our creative differences, and who give me the chance to prove that I’ve got something. For that I had to reward Maia with a bonus set—a pared-down, no-fuss “denim-and-whites” set, still very much California, but sedate enough for her to use as Christmas cards or whatever she wants to use them for.

I think I am getting the hang of this—you know, photographing families and children. I mean, it all seems so distant now, that part when I was only starting out and I actually swore to myself that I was never going to do anything that involved kids because, well, I was deathly afraid I was never going to get them to stand still, much less get them to do whatever crazy stuff I wanted them to do. But after shoots like this one right here, I guess you can’t help but ask for more! Now the problem is whether or not I’ll be able to find little ones who are as crazy and outgoing as Mallie and Maxine. I’ve been trying to avoid this, but I think now is a really good time to borrow a line from The Beach Boys: Don’t you just “wish they all could be California girls?”

Maia Mangubat-Ramirez and her daughters Mary Louise and Maxine Antoine | Photographed and styled by Angelo Kangleon in Los Angeles, CA, on May 21, 2012 | Hair and makeup by Mayce Aparis Arradaza | Graphic print Tee, Matthew Williamson for H&M | Yellow high-low hemline sheer top, Forever 21 | Acid wash skinny jeans, Fire Los Angeles, at Nordstrom | Girls’ flannel shirts, Abercrombie Kids | Girl’s skinny jeans, Gap | Black sequined shorts, Gap

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